In 1980's cortoonist Alison Bechdel
observed a frustrating trend in pop culture films only had a single female
character and when there were multiple Women in a film storylines always revolving Around men. The
realisation inspired to create a comic called the rule I only go to the movie
if it satisfies these three basic requirements they are
·
There should be at least two named female
characters
·
Do they speak to each other
·
Do they speak to each other about something
other than a male love interet.
This requirements for my
foundation on the Bechdel test which has become a tool used to call attention
to gender inequality and pop culture. Bechdel credits the idea for the test to
her friend Liz Vallace Who was inspired by Virginia Woolf essay Add almost want
own wounds rights all these relationships between women are two simple and I
tried to remember any case in the course of my readings where two women are
represented as friends day are not and then mother and daughter but almost
without exception they are shown in their relation to men, Even though oops
essay is over 90 years old limited female representation and pop culture Persist
todayis so late both 120 films by a Geena Wavis Institute on gender and media revealed
that Only 31% of the name characters were female and 23% have a female
protagonist or Co protagonist.
The other woman acknowledges
that the idea is pretty strict, but good. Not finding any films that meet their
requirements, they go home together. The context of the strip referred to
alienation of queer women in film and entertainment, where the only possible
way for a queer woman to imagine any of the characters in any film may also be
queer was if they satisfied the requirements of the test.
The test has also been
referred to as the "Bechdel–Wallace test the "Bechdel
rule", "Bechdel's law, or the "Mo Movie Measure”. Bechdel
credited the idea for the test to a friend and karate training partner, Liz Wallace,
whose name appears in the marquee of the strip. She later
wrote that she was pretty certain that Wallace was inspired by Virginia Woolf's
essay A Room of One's
Own.
Several variants of the test
have been proposed—for example, that the two women must be named characters, or
that there must be at least a total of 60 seconds of conversation. The
test has also attracted academic interest from a computational analysis
approach. In June 2018, the term "Bechdel test" was added to
the Oxford
English Dictionary.
According to Neda Ulaby, the test resonates because
"it articulates something often missing in popular culture: not the number
of women we see on screen, but the depth of their stories, and the range of
their concerns. Dean Spade and Craig Willse described the test as a
"commentary on how media representations enforce harmful gender norms" by depicting women's
relationships to men more than any other relationships, and women's lives as
important only insofar as they relate to men. Use in film and television industry
Edit Originally meant as "a little
lesbian joke in an alternative feminist newspaper", according to Bechdel, the
test moved into mainstream criticism in the 2010s and has been described as
"the standard by which feminist critics judge television, movies, books,
and other media. In 2013, Internet culture website The Daily Dot described it as
"almost a household phrase, common shorthand to capture whether a film is
woman-friendly. The failure of major Hollywood productions to pass the
test, such as Pacific Rim (2013),
was addressed in-depth in the media. In 2013, four Swedish cinemas and the
Scandinavian cable television channel Viasat Film incorporated the Bechdel
test into some of their ratings, a move supported by the Swedish Film
Institute.
In 2014, the European cinema
fund Eurimages incorporated the Bechdel
test into its submission mechanism as part of an effort to collect information
about gender equality in its projects. It requires "a Bechdel analysis of
the script to be supplied by the script readers”.
In 2018, screenwriting
software developers began incorporating functions that allow
writers to analyze their scripts for gender representation. Software with such
functions includes, WriterDuet and Final Draft .
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